Yökdil Sosyal Bilimleri 2018 Çıkmış Sorular Çöz (Part 7)- Yökdil Paragraf Sorusu Çöz 3
Soru 1 |
The term baroque (misshaped pearl) was applied, at first contemptuously but later respectfully, to a style of architecture that originated in Rome in the early seventeenth century and showed a significant departure from the traditions of the Renaissance. Asymmetry of design, luxuriance of ornament, strange or broken curves or lines, and polychromatic richness were its main features. The word was later extended to the other visual arts of the baroque period, which is generally regarded as having lasted to the middle of the eighteenth century. The best known early exponents are Borromini in architecture, Bernini in sculpture, and Rubens in painting. Rococo (rock-work) is sometimes treated as synonymous with baroque, but is more properly confined to a later development of it, especially in France, lighter and more fanciful, and with ornament even less related to structure. The characteristics of baroque are grandeur, pomposity, and weight; those of rococo are inconsequence, grace, and lightness. Baroque aims at astounding, rococo at amusing.
In the text, Borromini, Bernini, and Rubens are given as examples of -------.
famous pioneers of Baroque visual arts | |
representatives of Baroque painting | |
well-known pioneers of Rococo painting | |
prominent Renaissance artists in France | |
renowned advocates of Rococo art |
Soru 2 |
The term baroque (misshaped pearl) was applied, at first contemptuously but later respectfully, to a style of architecture that originated in Rome in the early seventeenth century and showed a significant departure from the traditions of the Renaissance. Asymmetry of design, luxuriance of ornament, strange or broken curves or lines, and polychromatic richness were its main features. The word was later extended to the other visual arts of the baroque period, which is generally regarded as having lasted to the middle of the eighteenth century. The best known early exponents are Borromini in architecture, Bernini in sculpture, and Rubens in painting. Rococo (rock-work) is sometimes treated as synonymous with baroque, but is more properly confined to a later development of it, especially in France, lighter and more fanciful, and with ornament even less related to structure. The characteristics of baroque are grandeur, pomposity, and weight; those of rococo are inconsequence, grace, and lightness. Baroque aims at astounding, rococo at amusing.
We understand from the text that ................
application of the term baroque changed
over time | |
baroque began as a reaction againist rococo in Italy. | |
the term baroque was first used to describe
a style in music | |
rococo was the dominant painting style in Italy | |
the term baroque was coined by French
architects |
Soru 3 |
The term baroque (misshaped pearl) was applied, at first contemptuously but later respectfully, to a style of architecture that originated in Rome in the early seventeenth century and showed a significant departure from the traditions of the Renaissance. Asymmetry of design, luxuriance of ornament, strange or broken curves or lines, and polychromatic richness were its main features. The word was later extended to the other visual arts of the baroque period, which is generally regarded as having lasted to the middle of the eighteenth century. The best known early exponents are Borromini in architecture, Bernini in sculpture, and Rubens in painting. Rococo (rock-work) is sometimes treated as synonymous with baroque, but is more properly confined to a later development of it, especially in France, lighter and more fanciful, and with ornament even less related to structure. The characteristics of baroque are grandeur, pomposity, and weight; those of rococo are inconsequence, grace, and lightness. Baroque aims at astounding, rococo at amusing.
The text is mainly about -------.
why baroque, as an artistic style, lost its
significance in time | |
different kinds of architecture observed in
the Renaissance period | |
the significance of Baroque painting in the
history of French art | |
the characteristics of and differences
between ‘baroque’ and ‘rococo’ | |
the transformation of ‘rococo’ during and
after the Renaissance period |
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